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And how are they? Well in a word, unbelievable. It can take up to three weeks to several months to receive your customs depending on how busy the manufacturer is. All together the price can run from around $800 – $1,200, so we’d love to point out that it is also possible to buy used customs and have them remolded by the specific manufacturer for around $250. Once the impressions are done you’ll have to decide on the number of drivers, color, and standard or custom artwork. There can be a fair bit of drooling (out of your ear, not out of your mouth) involved so be prepared. You have to stay stationary and the foam takes about 10 min to completely set. To make the impressions, the technician mixes together two compounds to make a type of foam and fills your ears while you gently bite down on another small bit of foam.
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Naturally, you’ll want to double check with each maker for full details. If you get them done at one of these trade shows there is often no obligation to order right away, they can keep the impressions on file if you decide to order in the future.
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The other more fun option is to attend a trade show such as NAMM, CES, or BPM – and there you can often get impressions made for free from the manufacturers themselves. One normally has to go to an audiologist, a hearing loss and protection professional, and spend at least $100 just to get the molds of your ears. Getting custom-molded in-ear monitors made is a bit of a trip.
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For the purpose of this article, we had a look at the five driver ES5’s by Westone. Personal preferences run the gamut from lower end earbuds to Stax earspeakers, but more and more audiophiles are raving about the quality of custom IEMs from companies like JH Audio, Westone and Sleek Audio. As DJs, we spend a majority of our time away from our setups and booths evaluating tracks, and with custom IEMs it’s great to have your best-sounding gear with you all the time.Īs we all know, lots of people like lots of different kinds of gear. A good set of cans such as the Pioneer HDJ 2000s or Sennheiser HD-25s are not the most convenient to be wearing or carting around with you all of the time. In addition to sonic isolation (saving your ears from excessive DBs – we’ve written about the DJing hazard of hearing loss previously), the main reason for custom IEMs is a combination of portability, sound quality and comfort. It’s kind of like sticking your head out the window of a moving car. Moving the jaw up and down slightly opens and closes the ear canal creating a whooshing sound while wearing them. If you can’t hear any difference between a 48k and 320k file there is also really no need for them and for those that chomp on gum while performing these are also not the best choice. Popping them in and out over and over is a less then an ideal user experience. It’s possible to have a conversation while wearing them, but one of the main reasons for using custom IEMs is the sonic isolation that they provide.

They aren’t for DJs who spend a lot of the time talking with others during a set. Who Needs Custom In Ear Monitors?Ĭustom In-Ear Monitors (IEMs) are not for everyone. Many of our readers probably know that custom in-ear monitors are used by a number of major musicians and DJs to make their on-stage performances easier and safer – but what is it about these guys that makes them so great? Are they a realistic choice for bedroom DJs, or something that one should save for when going pro? Just how custom are they, and are there other cheaper options? We’ve got the full scoop on custom in-ear monitors for DJs after the jump.
